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Earned Secure Attachment

Preface

Audiobook Preface

Preface

I spent twenty-two years learning to be visible, only to discover that becoming real is not the same as staying real.

As a very young child, I hid behind a telephone pole when my mother told me to go play with the other kids. Not because I was playing hide-and-seek, but because without a secure base at home, I didn't know how to reach out to the world. I climbed trees and disappeared into the woods—not to escape the neighborhood, but to escape my parents. From the sudden punch or kick that could come out of nowhere. From parents who built a pool and took us to Disney but never once asked if I was happy, never seemed to notice or care who I actually was. 

Even as a child, I could see the disconnect—the performance of family for the outside world, the indifference behind closed doors. By fourteen, I was asking questions I had no language for yet: Why are you doing these things for us when you don't actually care? The only time I remember being held was around age three or four, in swimming lessons, my arms wrapped around the young instructor's neck, and even then I felt certain I didn't deserve it.

By high school, I had perfected invisibility. I sat silent in classrooms, never called upon, a ghost among my peers. I went away to college and immediately started counseling—not because I believed I could change, but because I couldn't keep living this way. I set goals: speak in class, ask someone out. 

For most of my undergraduate years, I remained the third person with every couple—best friend to both the boyfriend and girlfriend, even best man at a wedding, but never part of a couple myself. I finally got two dates my senior year—one date each with two different people. I never spoke in class. I'd come so far, but something fundamental was still missing.

Then, in 1990, after graduating from Georgia Tech, I was seen through the eyes of love. For the first time in my life, I had proof that I was special, that I mattered, that I was real. It was the missing piece—the experiential knowledge that no amount of therapy alone could provide. She died at the end of that same year, and for a time I wondered: what good is it to find this love and have it taken away so suddenly? But something had awakened in me that couldn't be undone.

In April of 1992, I took a microphone and read poetry, choosing to be the center of attention for the first time in my life. Three months later, I met Lynn. What followed over the next eight years—from 1992 through 2000—were years of success and joy beyond my wildest dreams. Graduate school in 1993, becoming a therapist in 1996, full licensure in 1998. Leading therapy groups and counseling couples despite having gotten only two dates in all of college. Building a life with Lynn—enduring love and earned secure attachment, learning in adulthood what I should have known as an infant. 

I want you to understand what's possible. I could have become like so many others who can only connect with narcissists like their parents because it's familiar. I want to show you that it doesn't have to be that way. That even from a childhood like mine, you can find real connection, meaningful work, genuine love. The kind of success that looked, for all the world, like I'd been cured of my past.

By July of 2000, everything seemed perfect. By September, I'd lost it all.

And that's when I learned what I'm still learning now: psychological wounds don't heal like broken bones or diseases cured by vaccines. You can grow, transform, build a beautiful life—and then lose it and discover that all your old patterns are still there, waiting. Letting my parents back into my life recreated the trauma of childhood. By my mid-fifties, I finally did what I should have done decades earlier: I cut off all contact with my family. This is the story of learning to be real, forgetting I was real, and finding my way back—not to where I was, but to something I'm still discovering. This time, with tools I'm learning to use.

My Invitation

Have you ever felt invisible? Not just shy or like a wallflower, but truly unseen—not noticed, not known for who you really are? Noticed social anxiety in yourself? This book is for you.

You might also recognize yourself here if you grew up in a home where you had many things, but your feelings were never validated or didn't seem to matter. Where everything looked normal from the outside - maybe you even say things were good, you weren't abused—but somehow you became responsible for a parent's happiness or emotional needs. That's called covert narcissism, and it's more common than you might think. And narcissistic patterns don't only show up with parents, they can appear in partners and other relationships throughout our lives.

 

This isn't about blaming parents. It's about understanding what happened and finding your way forward. As the title states, this book covers Complex-PTSD and/or Developmental Trauma—regardless of where those wounds originated.

You may not relate to everything in these pages—everyone's experiences manifest in different ways. Because we have much to cover, take it slowly. I hope you'll relate and know you are not alone.

Chapter 2: Meaning, Memories and Poems About Lynn

I met Lynn and started seeing her around the 4th of July of 1992. I had been grieving the loss of Celta when I came to Wilmington in April of 1992.

I found love briefly with Celta and yet she died so suddenly and at such a young age. I was devastated. I didn't think I would feel, or experience love again. Then I met Lynn in 1992. We fell madly, and passionately in love. The poems that follow are about that love. I wanted to tell the story to all those who would ever follow me in the later generations about some epic love to rival any husband and wife or any couple.

We lived as husband and wife and were married in every way that mattered. As a Catholic at the time, I sought the sacrament of Holy Matrimony from the Church, but they denied us—the disgusting attitude that someone born with a debilitating illness should be denied access to the sacred! This treatment of Lynn, among many other harmful attitudes, pushed me away from religion.

Lynn was willing to embrace any way of symbolically representing our everlasting devotion, even though she wasn't Christian. We both wanted to formally move from engagement to the next stage of formal commitment to one another forever. Now, no longer religious, I can see that if the sacred exists at all, no secular piece of paper could make our bond more holy than it already was.

For years we had a normal relationship, and the fact that she had a chronic genetic illness did not define our relationship.

Our love created a sense of tranquility and serenity at its core—a deep peace and contentment that existed at all times, even when I was depressed, which was merely a transitory feeling that would pass.

In its purest form, love is distinguished from addiction, which is momentary and transitory. We do not pursue a high that we once had and cannot reach again—that would be like implying that once we discover an awe-inspiring sunrise we need a more beautiful sunrise to feel that same sense of awe.

Love is also like beauty in the sense that it's best experienced as opposed to merely being stated like some universal truth. Creative people express these experiences of awe and wonder in many forms.

These poems capture more than fleeting moments—they hold experiences where physical sensations became markers of something profound, eternal, and awe-inspiring. Each moment contained vastness, pointing to the spiritual that even non-believers in the supernatural can embrace. They are signifiers of what endures and give ultimate meaning to what really matters.

An Infinite Beach

On some beachA couple at the beach
that never ends
I'm with her
and just for a moment
I pretend
that things never change
that sometimes,
in moments like this
we walk hand-in-hand
forever.
This is my greatest desire -
to stop time
like this...
when there is just this place,
just these beach sounds
and just
she and I.

Couple in love in silhouette
What Really Matters

Moments
frozen in time.

That is what love
seems to be...
these moments you remember
something in these moments
(takes my breath away)
has a certain meaning
that endures -

a feeling...
an image...
something said...
or shared...
certain sounds
in the background...
whatever it is that
you remember
is all that really matters.

Introduction: We walked into the Coastline Convention Center that Sunday evening in 1995, hand-in-hand as usual, overlooking the Cape Fear River where the weekly poetry readings were held. Lynn had no idea I had a surprise for her.

We took our seats at a table with other regulars—all friends and acquaintances who knew us as the couple we were, always like newlyweds, never afraid of public displays of affection. The sun was sinking low, and the room was getting slightly dark with just a dim light up front near the podium.

When my time came, I stepped boldly to the microphone. As I read this new poem, I could sense the knowing glances from people in the room—casual looks toward Lynn as everyone understood what was happening. I wonder if she noticed those glances, waiting for her reaction to this declaration of love.

 

Dreamlike Visions

In this dreamlike vision 
I lay in her lap,
while her golden hair
flows in the gentle wind,
On the beach.

Is this real?
I reach up to touch her
but she is gone... gone... gone
and I am laying on the sand.

Looking skyward I see her
in a vision.
She searches for me,
calling my name, saying,
"I am his and he is mine."

I try to get back
to find her
and that infinite beach
where we would walk hand-in-hand
or lay on the sand
holding each other
together
forever.

The vision -
the dream -
(incomplete)
the love
never ends...
The dream never
ends.

Follow-up to the poem: I sat back down next to Lynn as someone else prepared to read. I noticed she was doodling. One of our mutual friends commented on how much he liked the poem. I turned to Lynn and asked, "So, what do you think?"

"What?" she said, looking up confused. "I'm sorry, I wasn't listening."

I shook my head and smiled. She was embarrassed, her face blushing. "I thought you were only reading poems I already heard," she said. "Oh, I'm so sorry sweetie. Let me read it."

I handed her the poem and leaned in close, my arms resting on her chair. I tilted my head and slowly brought my lips to hers. She held my lips there with her hands on both sides of my face—just for a moment, mindful of the others around us.

"It's okay," I said with a smile. "You know what... I really love you."

"I love you too, honey."

She read the poem, visibly moved by this surprise declaration of love.

This became an inside joke for us. I would tease her: "If I share a poem about our love, I hope Lynn is listening?" Her way of making up for it was to read this poem at future poetry events when she didn't have anything else to share. I can't count the number of times that happened, it demonstrated her appreciation and recognition of the value of our love.

I explained that the poem was inspired by the Song of Songs from the Old Testament and a song by the Electric Prunes called "I Had Too Much To Dream (Last Night)." I was drawn to the sensual imagery in both—the biblical celebration of love between two people committed to each other, and the dreamlike quality of the song that captured something both beautiful and haunting about love and longing.

In Love

Some would say they understand 
that it is not that uncommon... 
a word that is overused 
because I can't find another word.

People walking past us 
might have seen us holding hands 
they might have known 
there was love.

Yet they would not understand... 
the miraculous experience 
of her hand in mine 
as we walked by the ocean. 
They would not understand 
the experiences – physical and emotional 
signifiers of something worthy 
of belief.

When we sat side by side 
facing the ocean waves, 
hearing them in the background 
seeing them - 
moved by something unseen - 
our bodies were touching 
and the best analogy for what I experienced 
was electrical signals moving 
at each point where our bodies 
our legs, arms, thighs 
were in contact.

This was not merely something 
physically pleasurable, 
not merely biological 
emotional, chemical.

No, I knew that. 
I have felt passion 
but rarely have I felt 
love – though I have been 
mistaken more times than I can count... 
Meaningless encounters 
where the emptiness remained.

That core Self within me 
ready for connection was not 
fulfilled like it was now.

Waves of excitement, peace, 
serenity, joy, clarity 
flowed through moments 
pregnant with meaning. 
Each moment was vast in duration 
each moment held eternity.

I had an epiphany and knew 
what mattered, what gave life meaning 
what filled that emptiness within 
that brought forth the fullness of the 
Self.

The feelings, moving in waves 
were markers of the profound - 
physical sensations that pointed beyond 
themselves to something transcendent, 
something that could not be reduced 
to chemistry or biology alone.

I have known alcoholics that look 
to a higher power. 
I have known the religious who 
speak of a God who alone 
can fill that emptiness 
within.

Everyone is looking 
for what will complete them, 
searching for transcendence 
in substances, in faith, 
in achievement, in escape.

But I have found something - 
I believe in something - 
I believe in love.

I can't prove it exists 
beyond hormonal desires 
beyond biological drives 
beyond what science can measure.

But I know what I experienced: 
love that is true 
and real 
and right...

Love that transforms 
without diminishing, 
that changes you 
without erasing who you are, 
that asks you to grow 
but never to disappear, 
that leads toward transcendence 
while keeping you whole. 
It shows you eternity 
in peaceful moments 
yet never asks you to sacrifice 
the fire of excitement, 
the expansion of joy, 
the sharp clarity of being fully alive, 
the creative force that moves through 
two people connected 
in the deepest way possible - 
embodying what it means 
to be complete 
while remaining yourself.

I Wrote a Love Poem Once

I wrote a love poem once...
I felt it was good -
I remember how good it felt -
the love...
to write the love poem,
to share it,
to dedicate it.
I felt the poem was good.

It was many years ago...
lost - lost in the fire,
as it were,
the love...
the love poem.

I forget how it goes
the love...
the love poem.

 

I just cannot remember
the words I wrote...
but I know I wrote
a love poem,
once...
or twice or more...

I can't quite remember
how it goes -
that feeling,
that certainty,
that desire to feel
that again.

 

Introduction to Poem “The Whole Story”

Our mutual friend Jean once observed that he saw us argue often, and I was shocked by his concern. Years later, after experiencing a relationship where disagreements felt threatening, where conversations could end with hang-ups, where love itself seemed in jeopardy over differences of opinion - I finally understood what Jean had missed.

With Lynn, I never hung up the phone. When she said, 'I'm not done talking,' I never said we couldn't keep talking. The cognitive dissonance I felt when Lynn challenged my beliefs didn't threaten our bond—it transformed my thinking, because I respected her completely and knew she respected me. Isn't it strange and amazing when you can become so frustrated and irritated in a relationship with someone special but still maintain that pervasive sense of happiness and contentment! Even despite all the fights and arguments, there was always an underlying joy. That is the ineffable nature of what we had—something taken out of context might look like conflict, but within the whole story, it was actually love expressing itself freely.

 

The Whole Story

Our love is now like an epic novel,
thousands of pages in length, 
with most pages torn 
others burned - in the tragic fire.

 I tried to save what I could 
believing it was worth saving
or worth holding onto - 
believing that nothing dies 
but in the end, 
what do I have? 

 

Just scraps of the book...

Even the ring that symbolized 
the bond of husband and wife 
is gone.

We wrote the book together - 
I remember how it was, 
page after page, 
chapter after chapter, 
lie scattered around a room 
in a forgotten home 
in a forgotten place 
like dark shadows 
under a hazy sky.

Page after page, 
written with a purpose 
written with love.

Sure, there were chapters 
that didn't seem to belong 
or have any purpose that could be understood 
but every part of the story 
had a purpose and place, 
whether good or bad 
within the larger narrative.

This was a story to be told 
for generations to come - 
passed down within the family 
and as part of a cultural tradition.

Looking back, 
at the whole book 
and not just a chapter here 
or there, 
taken out of context, 
you see a theme 
which emerges out of the many 
unplanned chapters.

It was always about love 
and that matters 
more than the quality of the narrative... 
it matters more than 
how things might have seemed 
at any one moment in time.

Chapter 1: Remembering Celta

Before I met Celta, I was 23 —
out of a childhood of emotional deprivation,
past undergrad where I somehow believed
I was becoming confident —
an extrovert on campus,
but not at parties,
not in groups of more than six,
still too shy to speak in class,
still escaping to the movies alone
on Friday afternoons.

I thought I was becoming someone.
Still, I was mostly surviving.
Still needing to grow.

Then there was her.

She was the first
to see me in a way
that made everything before
feel like a long, dim dream —
a story I try to tell
about life before 23,
but it’s mostly devoid of detail.

It’s not that I have a bad memory.
Some things are still vivid —
like being four years old,
floating in the YMCA pool,
held in someone’s arms,
and feeling certain
I didn’t deserve to be held.

But most of those years
blur together.

Maybe because I hadn’t really begun
to live yet.

 

Another Place, Another Time, Another Life

We used to walk
hand-in-hand
at the Botanical Gardens —
in Athens, Georgia,
following the paths.

This was my escape,
my other life.

And what I felt
is hard to put into words,
but I can say
that this...
        this sustained me.

(The feelings remained
and echoed throughout the upcoming week) —
until I could see her again
a week later.

We lived in different cities.
I lived with abusive parents —
I suppose I chose this.
I was an adult.

What I felt
            not just holding her hand,
or wrapping my arms around her —
but the way she held me,
chose to be close to me...

 

Perhaps there’s something else
I am leaving out...

Maybe it has something to do
with love.

Her love?
Mine?
Both.

I don’t know...
maybe because I had not known love —
from anyone, at all, ever,
before I was 24.

The Swing

Three of us are walking
in a small field—
the girl I loved,
myself, and her friend,
whom we had come to visit.

We came upon a swing,
and as I remember it,
I am in front of her
pushing her gently—
away, knowing she would return.

It wasn’t the way her hair
was caught in the sunlight
before me,
nor the smooth,
calming, undulating motion
of the swing.

It was what happened
in the quiet that fell—
a pause in time—
when our eyes locked,
and everything else faded
from our awareness.

David’s voice grew distant,
his presence dissolved.
She saw only me.
And I saw only her.

In that moment,
there was no one else.
No labels.
No explanations.
Only knowing.

After so many years—
decades—
I still remember this moment.

That’s what love is.
The kind you feel
in the body,
in the silence,
in the return
of the swing.

 

 

Where the Love Was

They said you were an angry woman —
but where was your anger at me?
Could you be so angry at the whole world
but not at me?
Not ever?
(We had only a year.)

I guess that has something to do
with love — our love.
I kept waiting for that anger
to turn on me,
for me to do
something
to provoke it —
yet I only saw
your smiles at me.

That’s where the love was.

And what about the
I love you’ s
we exchanged?
I’d never heard those words
or said them
so many times.
I never felt so moved
to say “I love you”
until then.

That’s where the love was.

Or maybe it was in certain
snapshot memories...
Like that day in the park —
I was telling a story from my past,
not even a remarkable one.
But when I looked up,
your eyes were on me —
captivated, hypnotized,
transfixed.

I still remember it
decades later,
along with so much more.

That’s where the love was.
Or is.

And finally,
it was in all the tears
I shed when I heard you died.
I never cried before that.

The love,
it’s in the memories —
in the knowing
that you are always a part
of me,
and I, a part of you.
There’s comfort in that.

I guess love isn’t
just a place
long ago.

Maybe I really didn’t believe
that someone could love me —
or be so deeply interested
in me.

These days,
or in the past few years,
I seem to have needed something
more
than just a touch
to feel anything as intense.

And most importantly —
it’s not the intensity
that matters,

but the overall mood,
the mindset of the relationship —
that is what matters.